Friday, March 20, 2009

There Is No Science Of The Beautiful, Only Critique*

Fig. 1. Kutlug Ataman - Frame, 2009

'Frame is a lightbox of an enlarged replica of a photograph taken during the early 20th century in Eastern Turkey, when photography was a still a new medium. Because of the way in which it is framed the photo reveals more than its original subject - an army general with substantial political power at the time. The anonymous photographer ignored the logic of classical framing which is rooted in the rules created during the Renaissance in the West. Instead, the framing follows the rules of pre-Renaissance representation typical of Byzantium, where social status and political power determined the frame and size of the subject. As a result, the army general, as the centre of political gravity and the top of political hierarchy, is framed in the centre. The lower ranks around him are cut off by the frame, which is determined not by rationalism but power.'

Lentos Kunstmuseum, Linz

* 'There is no science of the beautiful, but only a critique.' (Immanuel Kant - Critique of Judgement)