Fig. 1. Rosalie Gascoigne - Metropolis, 1999
Fig. 2. Rosalie Gascoigne - Traffic Snarl, 1999
Fig. 3. Rosalie Gascoigne - Southerly Buster, 1995
Fig. 4. Rosalie Gascoigne - Medusa, 1998
Fig. 5. Rosalie Gascoigne - Fishbowl, 1999
Fig. 6. Rosalie Gascoigne - Rain and Shine, 1998
'Yes it's got a formal rigour, because I think you've got to ... you've got to attach yourself to the classical. Art doesn't come from nowhere; it comes from a long line of human experience, and I like to think that I can pare things down to conform with a sort of classicism.'
Rosalie Gascoigne